I’m glad BiS broke up.
Now before you fly off the handle consider this. Brand new Idol Society have long been a favorite of mine since I saw the “My Ixxx” way back when. I know I’ve written about the group on a few occasions. I loved seeing how the group grew, expanded their sound, and destroy preconceptions about what an idol group should be. BiS always made the short-list for almost every category. But, now I’m saying that I am glad they broke up.
To start with, the group really ran through the mill with its lineup changes. Understand that membership in the group means you could literally have shit thrown at you at any moment. Rightfully so, it takes a special girl to stay with the group for any length of time. As the final lineup matured, we were looking at yet another set of completely new girls incoming very soon.
Like a Jack-Go-To-Bed-At-Noon, the fragments of BiS have grown to produce some of the best (or at least most interesting) idol music in the current industry. I really mean it: there’s some stuff here that I love as much as anything BiS ever did. Just look at this:
BILLIE IDLE® (Hirano Nozomi and First Summer Uika)
What a treat! Like many people, I grew up listening to the Ramones before I even knew the word punk. BILLIE IDLE®, at least in their latest album, reminds me a lot of that stripped down, raw sound that made me pick up a guitar in the first place.
Gang Parade (Kamiya Saki)
It’s hard to say where I stand on Gang Parade, actually. They’ve gone through a series of name changes: Pla2Me, Period of Plastic 2 Mercy (POP), and now Gang Parade. I particularly enjoyed Pla2Me. But, with a new name comes new possibilities, and I’m not ruling them out already
Lui Frontic Akabane Japan (Pour Lui)
Initially this seemed like where Pour Lui would end up in the full time. But, now we see there are other plans.
Maison Book Girl (Koshouji Megumi)
One of the more intriguing things on this list. They’re like queens of the ⅞ pop, sounding alternately like simultaneous equations and Bossa Nova gone through a Brita filter. Whoever does their art direction is my hero: I love the aesthetic of this group probably as much as the music.
I have to confess that I love Tentenko. She’s like that really cool chick who your best friend picked up from the art school down the road and brought to your building’s kegger. She’s cooler than you, prettier than you, and seems to have a good time even if she looks like she’s in sweet misery. Tentenko seems to operate on a different level but isn’t afraid to chug down a Zima like it’s 1987.
What about past members?
Are we even counting Akishibu Project? The Akihabara/Shibuya group was formed by original BiS member Yokoyama Rina, who now appears in BPM15Q.
Original member Nakayama Yukiko has been busy, too! First with Morphine Tokyo and then with The End.
And, don’t forget Terashima Yufu! Now a solo artist, Yufu seems to be fulfilling her destiny as “The Honor Student” one.
On top of these direct fragments, we also saw the formation of BiSH. Now, BiSH should be a whole discussion of its own. The fact remains that we probably wouldn’t have seen these girls like this with the BiS breakup. And, here me straight: BiSH is producing some of the finest music in the scene today. The excellent vocal work of Aina the End alone catapults this group to the top. If “KiLLER BiSH” isn’t on your list for Album of the Year, or if “Orchestra” isn’t in your discussion of Song of the Year, you probably shouldn’t be reading me.
Now we have a return for BiS with, as predicted, a whole new set of girls for Pour Lui to torment. If their latest promotional video is to believed, the group found its purpose and will continue to question and confront the norm of the idol world.I’m glad to have another group in the mix, and I have full faith this new incarnation of BiS will bring to the party.
How is it that Brand new Idol Society created an entire ecosystem of music by themselves? We should also ask ourselves whether an act like the international selling Babymetal have gained any traction without BiS? What kind of responsibility to we on BiS’s doorstep for an alternative idol scene that competes favorably with the conventional idol scene (at least internationally)?
The ramifications of this reformation seem to hit BiSH the hardest since they will now be living in the shadow of a group from whom they were conceived, named, and purposed. But, see BiSH have long outgrown their need to attach themselves to their predecessors. Confident, brash, and with a swagger all their own, BiSH continues to be my favorite group in this post-BiS world.