Hello everybody, TheNumber244 reprinting my article from New School Kaidan here with the intention of bringing you up to date with the new month of Hello! Project rankings. With only one proper release on the schedule for March, it’s pretty clear who is perched atop the rankings for the month. Still unseen on the rankings is Tsubaki Factory, who released an indie mini-album in March titled “Tsubaki Factory SOUND + VISION Vol.1” during the Satoyama/Satoumi/HinFes event mid month. Having not heard the release myself, I can’t tell you much about it other than it contains their previous singles, “Seishun Manmannaka!” and “Kedakaku Sakihokore!”, and covers of “17sai” by Moritaka Chisato and “Cabbage Hakusho ~Haru Hen~” by Peaberry.
Speaking of the HinaFes, the events of March centered around “Hello! Project Hina Fest 2016” on March 19 and 20 at Pacifico Yokohama. Coinciding with the Satoyama/Satoumi event at the same venue, HinaFes has become a sort of “Spring Road Show” for the Projects as the groups showcase their upcoming Spring singles. Solo and small group performances with participants decided completely by lottery add a specialness to the performances as the member combinations can be completely unpredictable yet surprisingly sensical. Spread among the four performance dates this year we got solo performances from Juice=Juice’s Takagi Sayuki, Morning Musume ’16’s Fukumura Mizuki, Kobushi Factory’s Ogawa Rena, and Angerme’s Wada Ayaka. The small group performances brought us “trugranful” with Miyamoto Karin, Tamura Meimi, and Nakanishi Kana; “AAAa” with Uemura Akari, Suzuki Airi, Haga Akane, and Hamaura Ayano; “Tsubomi Factory” with Taguchi Natsumi, Nomura Minami, Niinuma Kisora, Inoue Rei, and Kamikokuryo Moe; and “6 Pack” with Katsuta Rina, Ogata Haruna, Yajima Maimi, Kishimoto Yumeno, Ishida Ayumi, and Kudo Haruka.The success of the event warranted another HinaFes in 2017, so I’ll see you next March when I describe the next set of lottery-chosen performances.
And with HinaFes 2016 out of the way,
Rankings come on!
Michishige Sayumi – November 2014
Berryz Kobo- March 2015
Shimamura Uta- June 2015
Fukuda Kanon- November 2015
Sayashi Riho- December 2015
Tamura Meimi- May 2016
Suzuki Kanon- May 2016
Look at that list. This 1.5 year span from November 2014 to May 2016 sees the loss of 13 girls from Hello! Project. Some real prominent names occupy this list as well. Girls who anchor their respective group in some form suddenly drop from the scene in droves. The last time I remember such a large exodus from the projects was the Elder Club mass graduation in 2009.
I don’t think this particular batch of departures signifies anything as sweeping as the Elder Club graduation. Some key positions opened up, and it’s interesting to see who will fill the void. Let’s go down the line?
Sayumi makes some strong argument for the most productive Morning Musume Continue reading
In the audition that nobody wanted, the winner is a girl from outside the Projects named Kamikokuryou Moe. That sound very harsh, but I think it rings true. At least, it rang true last week. Now that we’ve seen and heard her, Moe is very welcome to the clan of gremlins known as
S/mileage Angerme. Vital details follow:
Name: Kamikokuryou Moe (上國料萌衣)
Birthday: October 24, 1999
Age: 16 … barely
Height: 150 cm (Mini Moni sized)
ANGERME sends off one its original members with a song that tries to encapsulate the essence of the group’s first six years of work. Fun and funky blends equal parts with Smileage’s “Shortcut” and ANGERME’s”Taiki Bansei“.
ANGERME come roaring out of the gate for the next round of Hello! Project releases with their effort “Nanakorobi Yaoki (Ups and Downs)”. When ANGERME was still S/mileage and the group cut their hair on the moon (Short Cut), a song like this would have been unthinkable fo the group. The powerful song quickly roars in your face with a quickly paced driving beat and aggressive guitars. Providing contrast to these elements, “Nanakorobi Yaoki” buffets itself with whirling strings and choral background vocals. The song adorns itself with contrasts so completely that it becomes a fight best described as the brutish vs. the elegant.
Brutish and elegant forces battle each other throughout the musical arrangement of “Nanakorobi Yaoki”. From the ground, the song pushes with an insistent 12/8 beat (see! those music lessons in “MUSIC+ really help). A thumping bass and distorted guitars pulse along with the drums. Melodically, a solo guitar riffs and electronic whirs duel against a string section that (appropriately) plays up and down the scales. Background vocals on the side of the strings peal like bells before ringing with “Ups and Downs!” Similar to many Hello! Project songs, “Nanakorobi Yaoki” furnishes a thick arrangement that threatens to clutter around every corner.