I’ve planned to write about Fukuda Kanon for a while, and now these words are reaching the void days after her graduation from S/mileage, ANGERME, and Hello! Project. My difficulty with words manifested, and I stopped and started writing about Fukuda Kanon many times now. I attribute this to the complex character that Kanon formulated . Sometimes she seemed very troll-ish and sometimes even resentful of her idol career. Reports of disinterested handshakes and cold fan interactions didn’t really help either. Why so I love this girl?
One thing seems true: Fukuda Kanon loves Hello! Project probably more than most of us. Like most of the Eggs who graduated from the early years of the program, Kanon spent half her life in the Projects. Steadfast and determined, Kanon continued her career despite slaps in her face and ample opportunity to search out greener pastures. If her resilience doesn’t indicate some degree of passion, then I’m not sure I’m passionate about anything.
In the audition that nobody wanted, the winner is a girl from outside the Projects named Kamikokuryou Moe. That sound very harsh, but I think it rings true. At least, it rang true last week. Now that we’ve seen and heard her, Moe is very welcome to the clan of gremlins known as
S/mileage Angerme. Vital details follow:
Name: Kamikokuryou Moe (上國料萌衣)
Birthday: October 24, 1999
Age: 16 … barely
Height: 150 cm (Mini Moni sized)
ANGERME sends off one its original members with a song that tries to encapsulate the essence of the group’s first six years of work. Fun and funky blends equal parts with Smileage’s “Shortcut” and ANGERME’s”Taiki Bansei“.
ANGERME come roaring out of the gate for the next round of Hello! Project releases with their effort “Nanakorobi Yaoki (Ups and Downs)”. When ANGERME was still S/mileage and the group cut their hair on the moon (Short Cut), a song like this would have been unthinkable fo the group. The powerful song quickly roars in your face with a quickly paced driving beat and aggressive guitars. Providing contrast to these elements, “Nanakorobi Yaoki” buffets itself with whirling strings and choral background vocals. The song adorns itself with contrasts so completely that it becomes a fight best described as the brutish vs. the elegant.
Brutish and elegant forces battle each other throughout the musical arrangement of “Nanakorobi Yaoki”. From the ground, the song pushes with an insistent 12/8 beat (see! those music lessons in “MUSIC+ really help). A thumping bass and distorted guitars pulse along with the drums. Melodically, a solo guitar riffs and electronic whirs duel against a string section that (appropriately) plays up and down the scales. Background vocals on the side of the strings peal like bells before ringing with “Ups and Downs!” Similar to many Hello! Project songs, “Nanakorobi Yaoki” furnishes a thick arrangement that threatens to clutter around every corner.